Christopher Smith’s SEVERANCE (2006): An original and entertaining storyline
John Fawcett’s GINGER SNAPS (2000): A movie to be rediscovered
Xavier Gens’ FRONTIER(S) (2007): French Horror Extremity goes wild
John Cassavetes’ A WOMAN UNDER THE INFLUENCE (1974): Madness & Tediousness
Andrea Arnold’s AMERICAN HONEY (2016): The road to nowhere
Kenneth Lonergan’s MANCHESTER BY THE SEA (2016): Strong and intense, hard to digest
Dennis Iliadis’ THE LAST HOUSE ON THE LEFT (2009): A new vision of West Craven’s classic
M. Night Shyamalan’s SPLIT (2016): The broken are the more evolved
Mondo Buzzurro 